|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
flora (mk33)
1634
Leningrad,Hermitage
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Saskia as Flora (mk33)
1641
Dresden,Gemaldegaleri Alte Meister
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The rape of Ganymede (mk33)
1635
Canvas
177x129cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Floris soop as a Standard-Bearer (mk33)
1654
New York
Metropolitan Museum of Art
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Susanna and the Elders (mk33)
1636
Panel.
47.2x38.6cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Standard-earer (mk33)
1636
Canvas
118.8x96.8cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Details of The Standard-earer (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Christ appearing to Mary Magdalen (mk33)
1638
Panel
61x49.5cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Details of Christ appearing to Mary Magdalen (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
A Man in oriental costume (mk33)
c.1639
Panelwith rounded upper corners
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of a Man Standing (mk33)
c.1639
Canvas
200124.2cm
unreliable signature and date
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Still life with two dead Peacocks and a Girl (mk33)
c.1639
Canvas
144x134.8cm
unreliably signed
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Landscape with a Stone Bridge (mk33)
Late 1630s
Panel
29.5x42.3cm
Amsterdam,Rijksmuseum,
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Details of Landscape with a Stone Bridge (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Self-Portrait at the age of 34 (mk33)
1640
Canvas,rounded at the top
93x80cm
signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Baldassare Castiglione (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Double portrait of the Shipbuilder fan rijcksen an his Wife Griet Fans (mk33)
1633
Reproduced by Gracious Permission of Her Majesty the Queen
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Double Portrait of the Mennonite Preacher Cornelis Claesz Anslo and his Wife Aeltje Gerritser.Schouten (mk33)
1641
Canvas
upper corners rounded
176x210cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Nicolaes van Bambeeck (mk33)
1641
Canvas
108.8x83.3cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Agatha Bas (mk33)
1641
Canvas
104x82cm
Signed and dated
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| REMBRANDT Harmenszoon van Rijn
|
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
|
